zamwessell

A/N: Waaaasup I'm mad dilatory here because I got caught up on the kink meme writing the clicheest romcom fluff you ever heard in your dang life, it's here: In The Punch Line and also Christmas happened, but anyway VOILA I hope it's somewhat vaguely possibly semi-worth the wait.

Ahem.
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( After breakfast, lunch, and still no Charles.Collapse )

Title: Armistice
Rating: NC-17 now
Genre: WW1 AU
Pairing: Erik/Charles
Summary: 1917. Erik and Charles are patients at a WW1-era mental hospital, Craiglockhart. Inspired by the actual story of Wilfred Owen and Siegfried Sassoon, they discover each other and their abilities and the dark secrets the hospital contains.
( That night sleep had been out of the question.Collapse )

Title: Armistice
Rating: NC-17 now
Genre: WW1 AU
Pairing: Erik/Charles
Summary: 1917. Craiglockhart, a mental hospital in Scotland. Erik Lehnsherr is a Siegfried Sassoon-esque World War 1 poet, and Charles
Xavier (Wilfred Owen) is a fellow patient at the hospital who turns out to share more than Lehnsherr's gift for poetry. Everyone's still a mutant, but the origins of the mutations are a peculiar form of shellshock, and (given the dates) major hunks of folks' backstories are different.

( Then he understood where the Apostle Thomas had been coming from. He had to touch him.Collapse )

Title: Armistice, Chapter 3
Pairing: Erik/Charles
Genre: WW1 AU
Rating: PG-13 still, NC-17 soon!Summary: 1917. Craiglockhart, a mental hospital in Scotland. Erik
Lehnsherr is a Siegfried Sassoon-esque World War 1 poet, and Charles
Xavier (Wilfred Owen) is a fellow patient at the hospital who turns out
to share more than Lehnsherr's gift for poetry. Everyone's still a
mutant, but the origins of the mutations are a peculiar form of
shellshock, and (given the dates) major hunks of folks' backstories are
different.
Prologue
Chapter 1
Chapter 2
( That night the nightmare came again and he didn't look down.Collapse )

Title: Armistice
Pairing: Erik/Charles
Rating: PG-13 now, for violence and war? Later NC-17.
Genre: WW1 AU
Summary: 1917. Craiglockhart, a mental hospital in Scotland. Erik Lehnsherr is a Siegfried Sassoon-esque World War 1 poet, and Charles Xavier (Wilfred Owen) is a fellow patient at the hospital who turns out to share more than Lehnsherr's gift for poetry. Everyone's still a mutant, but the origins of the mutations are a peculiar form of shellshock, and (given the dates) major hunks of folks' backstories are different.

Prologue
Chapter 1
( The nightmares were getting worse.Collapse )

Title: Armistice
Pairing: Erik/Charles
Rating: PG-13 now, for violence and war? Later NC-17.
Genre: WW1 AU
Summary: 1917. Craiglockhart, a mental hospital in Scotland. Erik Lehnsherr is a Siegfried Sassoon-esque World War 1 poet, and Charles Xavier (Wilfred Owen) is a fellow patient at the hospital who turns out to share more than Lehnsherr's gift for poetry. Everyone's still a mutant, but the origins of the mutations are a peculiar form of shellshock, and (given the dates) major hunks of folks' backstories are different.
Prologue

( "I did that," Erik said. His voice was still shaking.Collapse )

Title: Armistice
Pairing: Erik/Charles
Rating: PG-13 now, for violence and war? Later NC-17.
Genre: WW1 AU
Summary: 1917. Craiglockhart, a mental hospital in Scotland. Erik Lehnsherr is a Siegfried Sassoon-esque World War I poet, and Charles Xavier (Wilfred Owen) is a fellow patient at the hospital who turns out to share more than Lehnsherr's gift for poetry. Everyone's still a mutant, but the origins of the mutations are a peculiar form of shellshock, and (given the dates) major hunks of folks' backstories are different.
A/N: What? You didn’t want a World War I poets AU? Well, don’t read this! This can be one of those things like camels doing ballet. You know the story of the camel who did ballet? It was terrible! And everyone was like, “Camel, what the eff, man?” and the camel’s like, “Hey, I do this for my own enjoyment!” I know I'm usually more of a straight-up smut fairy, but I just really wanted to try something different, and it may suck, in which case LA LA LA CAMELS LA LA.

That being said, I hear AUs are in these days, and I promise that there will be smut later, because hey, it’s me. And if you know WWI poets, maybe these parallels that have been eating me alive for ages have also been eating you alive! And if you don’t, there will be smut. Also Mac and Fass look so fetching in their yes i know non-ww1 period uniforms that something had to happen. Maybe someone else already wrote this in which case I will kill you and marry you in some order that we can determine later.

Uh, there will also be World War I poetry. It won't be written at the time that the author actually wrote it, but if that's your biggest concern, and not the fact that Siegfried Sassoon can bend metal with his mind, you ought to consult someone.

Crossposted at A03

( PrologueCollapse )

So I finally have teh internetz. Well, specifically, I waited long enough, and my neighbor has teh internetz and is letting me use hers. I put Good Boys on AO3 just in case anybody still was interested in having that on AO3, and also if you aren't on AO3 I wrote this one-shot there, like, a month ago.

So that's what I'm up to. Real Life is ridiculous as usual, but I really want to write more and if I do it will be up here as soon as it occurs, in case anyone wants to read it! Thank you for putting up with the months when I was reading all my comments as email notifications on my cell phone! Got me through a lot of weeks!

-Z

Title: Mutants Do It Better
Rating: NC-17
Pairing: Erik/Charles, referencing Charles/Moira and Erik/Raven
Genre: PWP
WC: 4000ish
Summary: Erik believes that mutants are better in bed. Charles disagrees. Only one way to prove this hypothesis. Inspired by "I think that Charles is just horny, and just trying to get laid. Throughout the film. He’s like ‘human beings are cool, give them a chance’ because he just wants to have human being sex. He doesn’t want to have mutant sex. Whereas Eric really gets off on mutant sex." -Fassbender, natch.
A/N: Hi! This is your kinda-weekly gift from the Cherik pr0n fairy. I hope you enjoy it! This one is my vengeance for all those Charles/Moira deleted scenes. JK Moira I love you and you were good in Bridesmaids.
Your comments have been, like, insane, and I don't know if my writing "AHHH NO YOU'RE AWESOME I AM ACTUALLY VERY NOT WORTHY I DON'T HAVE GOOD SENTENCE STRUCTURE" in response to all of them will enhance your experience any, but I will be doing that this week, so get pumped! I guess? Anyway I love this fandom so much, you all are crazy but in the best way possible and I was supposed to stop writing Cherik at the end of August and mend my ways but, nope, looks like this is the summer fling that's sticking around and making things awkward at Rydell.

“You fucked Moira,” Erik said.
( Read more...Collapse )